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PLEASE. STAY. TOUCH. Jess Curtis Experiments with GRAVITY – jose e. abad: Activation Stage Programs

Music & Arts|music-arts
Fort Mason Center for Arts & Culture
PLEASE. STAY. TOUCH. Jess Curtis Experiments with GRAVITY – jose e. abad: Activation Stage Programs event image
Wednesday, July 29

PLEASE. STAY. TOUCH. Jess Curtis Experiments with GRAVITY – jose e. abad: Activation Stage Programs

Fort Mason Center for Arts & Culture

The exhibition PLEASE. STAY. TOUCH. Jess Curtis Experiments with Gravity includes an Activation Stage led by artists-in-residence whom Curtis mentored. Each artist serves as curator-facilitator-performers for events, performances, and happenings that engage deeply with Curtis’s legacy and archive.

Each artist presents a program that also extends Curtis’s commitment to inclusive, innovative performance practice and embodied presence. The exhibition PLEASE. STAY. TOUCH. Jess Curtis Experiments with GRAVITY includes an Activation Stage led by artists-in-residence whom Curtis mentored.

Each artist serves as a curator-facilitator-performer for events, performances, and happenings that engage deeply with Curtis’s legacy and archive. Each artist presents a program that also extends Curtis’s commitment to inclusive, innovative performance practice and embodied presence. Wednesday, July 29, 2026after the world, a gesture\ (work-in-progess showing) with jose e. abad and Nik Kniehase5:00 p.m. to 6:00 p.m.

Store House GallerySee Reservation link below An Improvisational Performance Experiment performed by jose e. abad and accompanied by the sonic landscape of Nik Kniehase – after the world, a gesture\ is an improvised solo embodying the ruins left behind and the world we build around them.

Inspired by the writing of philosopher Frederico Campagna, abad explores Campagna’s idea that “worlds” aren’t natural or given, but are held together by cosmological stories that eventually lose their ring of truth and significance for the living, at which point the worlds they sustained disintegrate, leaving ruins behind, out of which new and unrelated worlds emerge Wednesday, July 29, 2026 (continued).

In the wake of the loss of Jess, Shakiri, and others dear to abad, the artist here explores the ephemerality of dance and its connection to lineage; they construct a bounded world of time, space, and possible relation for the duration of the piece, a bounded world that then dissolves the moment the performance ends.

Friday, July 31, 2026“Rehearsing Others” hosted by jose e. abad; audio description by Gabriele Christian4:00 p.m. to 6:00 p.m.

Store House GallerySee Reservation link below This afternoon movement workshop explores some of the tools and scores abad used to develop after the world, a gesture\, their July 29 work-in-progress performance that activated concepts around social improvisation, revolutionary imagination, and the idea that other worlds are made through practices, myths, and collective embodied acts. jose esteban abad (they/them) is an Afro-Carribean Filipinx multidisciplinary choreographer, Vertical Dancer, DJ, and curator based in unceded Ramaytush Ohlone Territory (San Francisco).

Their work explores the complexities of identity at the intersection of gender, sexuality, class, race, and geography. Rooted in collaboration and improvisation as tools of resistance and liberation, abad’s work centers QTBIPOC experimental collective process-based practices of becoming and re-membering to highlight the most intelligent technologies that exist in this world – our bodies, ancestral wisdom, and nature.

The exhibition PLEASE. STAY. TOUCH. Jess Curtis Experiments with Gravity includes an Activation Stage led by artists-in-residence whom Curtis mentored. Each artist serves as curator-facilitator-performers for events, performances, and happenings that engage deeply with Curtis’s legacy and archive.

Each artist presents a program that also extends Curtis’s commitment to inclusive, innovative performance practice and embodied presence. \n

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